Gremolata & Cancellaresca Milanese

Though I’m not too well versed in it, I love typography. Borrowing from illuminated manuscripts, morphing from baroque curlicues to the lazy S’s of the Virginia Gazette (headline to the uninitiated: The Frefest advice, Foreign and Domeftick), from the ubiquity of Helvetica to the transgressions of Comic Sans. My love of fonts is pretty basic and visceral, my knowledge of custom running type limited to when my Mama had a font made of her handwriting in the mid 90’s (awesome). But, when I stumbled on this kickstarter campaign, my eyes fluttered. A brand new typeface. Bold and Italics not just header buttons on command. Languid, tilty, romantic italic letters paired off with their stand-up roman bretheren based on exact harmony between letter and meaning. Type made in the oldest way, in a foundry, painstaking, precise, hand wrought. Marvelous. The finished typeface will be a marriage of┬áCancellaresca Milanese (a typeface based on one that first appeared in Milan in 1541 in the books of Giovanni Antonio Castiglione) and Gremolata (a newly designed type with a slightly larger set of capitals based on those in the Cancellaresca, and paired with a lower case that is inspired, but not based on, Alpine typefaces of the mid-sixteenth century). Of course. the I gave $10, the project is funded, and the boys have started carving out their type. Just as in the kingdom of the blind, the one eyed man is king, in the kingdom of Kickstarter, even the pauper is a patron. Here, the type:

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