I’ve always loved plants, flowers, blooms. Made forts in boxwoods, learned and loved the evocative names Mama had planted in the gracious swooping beds surrounding our house, onomatopoetic almost, Bleeding Hearts, Johnny Jump-ups, Naked Ladies, Jack-in-the-Pulpit, Poet’s Laurel, St. John’s Wort, Harry Lauder Walking Stick. I held dear The Secret Garden, Peter Rabbit, and a book called “Flower Fairies of the Garden“ (my copy of which my Mama brought back to me recently for use as a research tome). I’ve always loved plants, but it’s been like how you love Paris or how you love Vermeer or how you love Virginia Woolf. You love them from afar, through the lens of where you are, they’re distant, somehow, you appreciate their beauty and softness and worldly majesty when you are lucky enough to brush by it, but Paris is not yours, the Vermeer isn’t in your care, and you will never truly understand Virginia Woolf, no matter how many times you re-read To The Lighthouse. I’ve always felt the same way about plants. I love them, but that they are not meant for me to understand. And when I try, one of us usually ends up a shriveled brown mess.I think this has a lot to do with our relationship with time. Talking about this crazy winter, the forsythias straggled in just last week, leggy and blown like a horse ridden to far too fast. In deciding whether to cut it back drastically or let time take its course, the words got tossed around we’ll just have to see how they do next year. It’s unfathomable for a person of 25 to be thinking about what a plant is going to do a year from now when they don’t know what they’re going to be doing six months from now. The rare young birds that do have very old souls indeed. You have to be in a place where you’re ready to put your own roots down before you can be worrying about anyone elses.
Understanding a plant takes commitment, the delicate pruning of the lilac, the blooming off of new-wood-old-wood argument of the Azalea (what, that takes 3 years to understand?), and the dauntless perennial bulbs that are springing to life right now, a testament to the staying power of loveliness and perhaps proof of the rightness of civilization. Miss McKay says that her mama told her that if you see daffodils in the country, it means a house used to stand there, the plants become the record of the people, and are still there after decades. And this is the, ahem, root of it. The best kind of plants have a kind of permanence (like Paris, like Miss Virginia) that, literally, takes root and hangs on for years, you are their steward, you have to be in it for the long haul, and if you do your job well, the roots you put down will outlast you. I discovered a stand of daffodils in the back woods, near where some mysterious stone columns have sat, fallen for years like an Appalachian Ozymandius, the dark green shoots bursting from bramble, proof that someone cared here. And I care here now.