Stump Speech

When I first stumbled across Best Made, a New York based company whose absolutely gorgeous hand-hewn and painted axes retail for up to $300, I had a smarmysmirk. I can certainly get behind the idea that objects of use should be objects of beauty, that form, function, build and tame are among the most ancient human impulses as we have. But, I thought, come on. A (stunning) $300 axe for uppity, bearded, maketank New Yorkers to hang on the wall of their lofts for show? Because-seriously-who-in-New-York-has-a-tree-and-if-you-were-lucky-enough-to-have-a-tree-why-on-earth-would-you-chop-it-down. Birch Please.

Then. I found the stump in my backyard. This old stump had at one point been burnt, covered in bricks and debris, forgotten until Sweetheart and I unearthed it in a torrent of centipedes and (my) shrieking. On Monday, it was the size of the red oval:
I broke it up myself using a rusty old axe I found in the backyard that must have belonged to the original landlords from the 1850’s. This is what my axe looks like:
Oof. My axe is like off-brand jeans. It works OK, but it could be a little shiner and a LOT sharper. New York is funny in this way, it can give you little nuggets of self-revelation that come with sweat and honest toil, and in the same fell swing can make you covetous of a $300 axe named “Flashman”. And the crazy thing? I think I might have earned it.

For your listening pleasure…

The Association for Cultural Equality was founded by American Folklorist and Ethnomusicologist Alan Lomax to preserve the “intangible heritage” of humanity. Starting in the 30’s, traveling with a tin can recorder powered by car batteries, Lomax recorded people making joyful noise, preservation for posterity. The American South- blues soaked or banjo based, far flung calypso islands, the Gnaoua of Morocco, sketches of Spain, giants of jazz, crooners, raconteurs, ragtime kings, and clear voiced mountain queens. Our songs, our stories, our oral histories, our git-boxes, our diddley bows, and our polyrhythms. Decades of sound saved, history kept. For your listening pleasure, the Association for Cultural Equality has made 17,000 of those sound recordings available FOR FREE online. AMAZING. Listen here.

 
Besos to Anna for the heads up.

April Fools

From jambands.com, 4/1/12:

Bruce Hornsby to Moderate SXSW Panel: Dead-By Association at SXSW 2013

Bruce Hornsby will moderate a panel at next year’s SXSW on his longtime association with the Grateful Dead. In the panel “Dead-By Association,” Hornsby will discuss how his longtime affiliation with the Grateful Dead has taken him from Top 10 hits to a range of rural festivals in just 20 short years. “It’s every hit songwriters dream to be called Vince Welnick’s backup keyboardist,” Hornsby said in a statement. “Who needs arenas and Billboard hits when you can sustain your career on sit ins with The Trippin Tailgater.” Hornsby’s fellow panelists include: Jackie Greene, Branford Marsalis, Chris Robinson and the members of The National. Vampire Weekend drummer Chris Tompson is also slated to moderate SXSW panel focused on his trademark Phish t-shirt called “One Shirt Tour: Dry Cleaning Bills and Fishman’s Dresses.”

This might be the best/most inside April Fools joke I’ve ever seen.

awesome image of Bruce and Jerry taken by Robbi Cohn. See more of her fabulous work here. Love that little squeezebox.